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Peter Parker's Rock 'n' Roll Club - The Revox Tapes Album

Peter Parker's Rock 'n' Roll Club - The Revox Tapes Album

Performer: Peter Parker's Rock 'n' Roll Club
Title: The Revox Tapes
Style: Rock & Roll, Beat, Garage Rock, Indie Rock, Post Rock
Released: 2013
Cat#: TOR 003
Country: UK
Label: Those Old Records
Size MP3 version: 2903 mb
Size FLAC version: 2647 mb
Size WMA version: 1798 mb
Rating: 4.4
Votes: 452
Genre: Rock

Peter Parker's Rock 'n' Roll Club - The Revox Tapes Album


Tracklist

1Money To Burn
2Easy To Please
3My Woman
4Bad Girl
5Mr Deville
6Mona Lisa
7Lonely In The House Of Love
8Get Rich Quick

Notes

Peter Parker’s Rock ‘n’ Roll Club started out as a club that Peter founded at 4 Denmark Street, London. The band were inspired to record using a G-36 ReVox reel-to-reel tape machine, because The Rolling Stones had used one when they recorded their first album at the same premises in 1963, when it was called Regent Sounds Studio.The band first met at Peter Parker’s Rock ‘n’ Roll Club in 2009-10. Peter and Sakura met first, Sakura having the idea to name the band after the club. She also spotted Lenny playing bass guitar at the venue and suggested he join the band, which luckily he did.

Peter had been told by a recording engineer that the best way to capture the raw energy of the band on record would be to use just two or three microphones placed around the room to pick up their sound in much the same way as an orchestra is recorded.

They went on a mission to track down the ReVox and three suitable vintage microphones. They found the ReVox as well as two Grundig ribbon microphones, one Reslosound ribbon microphone and a Vortexion microphone pre-amp, all dating from the 1960s.

The ReVox and the microphones weren’t the only vintage gear used on this recording. Peter found a Douglas PA dating from 1961 that once belonged to The Small Faces, in Macari’s of Charing Cross Road. This was used for Peter’s vocals.

Once the gear had been assembled the band carried it over from Peter’s flat in Soho to the club, one sunny Saturday in July 2010. They set up on stage, putting one Grundig microphone evenly spaced between the bass amplifier and bass drum, the other Grundig microphone evenly spaced between the snare drum and guitar amplifier and the Reslosound microphone in front of one of the two columns of the Douglas PA. They pressed the ‘record’ button on the ReVox tape machine and played through one take of each song.

That’s not quite the last of the recording process. When Peter got home, he read the instruction manual which came with the ReVox one more time and worked out how to put a tape delay over the entire recording, which really made the most of the capabilities of this two track reel-to-reel tape machine.

Album

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